Тексты песен Битлз, альбом "On Air — Live at the BBC Volume 2"

обложка альбома Битлз - "On Air — Live at the BBC Volume 2"

And Here We Are Again

Words of Love
(Buddy Holly)

Hold me close and tell me how you feel
Tell me love is real
Words of love you whisper soft and true
Darling I love you

Let me hear you say the words I long to hear
Darling when you're near
Words of love you whisper soft and true
Darling I love you

How About It, Gorgeous?

Do You Want to Know a Secret?
(John Lennon and Paul McCartney)

ДЖОН 1980: 'Ну, я не могу сказать, что я написал это 'для' Джорджа. Моя мама всегда была…
Она была хорошей комедианткой и певицей.
Не профессионалом, но она обычно вставала в пабах и подобных местах.
У нее был хороший голос. Она могла играть Кей Старр.
Она играла эту мелодию, когда мне было один или два года…
Она все еще жила со мной тогда.
Эта мелодия была из фильма Диснея: Хочешь узнать секрет?
Обещаешь не говорить?
Ты стоишь у колодца желаний.
Так что у меня в голове была такая штука, и я написал ее и просто дал Джорджу спеть.
Я думал, что она будет хорошим проводником для него, потому что в ней было всего три ноты, и он не был лучшим певцом в мире.
С тех пор он значительно улучшился; но в те времена его способности были очень не высокими.

ПОЛ 1984: 'Песня, которую мы написали для Джорджа, чтобы он спел.
Прежде чем он стал писать свои собственные песни, Джон и я написали для него и Ринго.'

ДЖОРДЖ 1994: 'Do You Want To Know A Secret' была моей песней на альбоме.
Мне не понравилось ее петь.

You'll never know how much I really love you
You'll never know how much I really care

Listen
Do you want to know a secret
Do you promise not to tell, whoa oh, oh

Closer
Let me whisper in your ear
Say the words you long to hear
I'm in love with you

Listen
Do you want to know a secret
Do you promise not to tell, whoa oh, oh

Closer
Let me whisper in your ear
Say the words you long to hear
I'm in love with you

I've known the secret for a week or two
Nobody knows, just we two

Listen
Do you want to know a secret
Do you promise not to tell, whoa oh, oh

Closer
Let me whisper in your ear
Say the words you long to hear
I'm in love with you

Lucille
(Richard Penniman and Al Collins)

Ah Lucille
Baby do your sister's will
Ah Lucille
Baby do your sister's will
Well you went up and married
But I love you still

Ah Lucille
Baby satisfy my soul
Ah Lucille
Baby satisfy my soul
Well you know I love baby
I'll never let you go

Babe I woke up this morning
Lucille was not inside
I asked her friends about her
But all their lips were tight

Lucille
Please come back where you belong
Well I'm talking to you baby
I'll never put you on
Aaaah! Wah!

Well Lucille
Baby do your sister's will
Oo Lucille
Yeah baby do your sister's will
Well you went up and married
But I love you still

Hey Paul….

Anna (Go to Him)
(Arthur Alexander)

Anna
You come and ask me, girl
To set you free, girl
You say he loves you more than me
So I will set you free
Go with him (Anna)
Go with him (Anna)

Anna
Girl, before you go now
I want you to know, now
That I still love you so
But if he loves you more
Go with him

All of my life
I've been searching for a girl
To love me like I love you
Oh, now, but every girl I've ever had
Breaks my heart and leave me sad
What am I, what am I supposed to do

Anna
Just one more thing, girl
You give back your ring to me, and I will set you free
Go with him

All of my life
I've been searching for a girl
To love me like I love you
But let me tell you now
But every girl I've ever had
Breaks my heart and leave me sad
What am I, what am I supposed to do

Anna
Just one more thing, girl
You give back your ring to me,
And I will set you free
Go with him

(Anna) Go with him
(Anna) You can go with him, girl
(Anna) Go with him

Hello!

Please Please Me
(John Lennon)
(Официально – John Lennon and Paul McCartney)

ДЖОН 1963: 'Наш менеджер звукозаписи (Джордж Мартин) считал аранжировку суетливой, поэтому мы пытались сделать ее проще.
Хотя мы устали, и просто не могли все сделать правильно.
В последующие недели мы снова и снова ее пересматривали.
Мы немного изменили темп, немного изменили звучание слов, и мы перешли от одной мысли к другой'.
К моменту начала сеанса мы были так довольны результатом, что не смогли записать его достаточно быстро'

ДЖОН 1980: 'Please Please Me' целиком моя песня.
Это была моя попытка написать песню Роя Орбисона, вы можете в это поверить? Я написал это в своей спальне на Menlove Avenue, где жила моя тетя.
Я слышал, как Рой Орбисон делал 'Only The Lonely' или что-то в этом роде.
Вот откуда это взялось.
И еще меня всегда заинтриговали слова песни Бинга Кросби 'Please Lend Your Ears To My Pleas'. Меня всегда заинтриговало двойное использование слова 'please'.
Это была комбинация Бинга Кросби и Роя Орбисона.

ПОЛ 1988: 'Это очень Рой Орбисон, когда ты его замедляешь.
Джордж Мартин ускорил темп.
Он думал, что слишком много грязи, и, возможно, слишком похоже на Орбисона.
Так что он хитро ускорил нас…
И мы вставили маленький обрыв в начале, который был очень запоминающимся.

Last night I said these words to my girl
I know you never even try, girl
C'mon (C'mon), c'mon (C'mon), c'mon (C'mon), c'mon (C'mon)
Please please me, oh yeah, like I please you

You don't need me to show the way, love
Why do I always have to say "love"
C'mon (C'mon), c'mon (C'mon), c'mon (C'mon), c'mon (C'mon)
Please please me, oh yeah, like I please you

I don't wanna sound complaining
But you know there's always rain in my heart (In my heart)
I do all the pleasing with you, it's so hard to reason
With you, oh yeah, why do you make me blue

Last night I said these words to my girl
I know you never even try, girl
C'mon (C'mon), c'mon (C'mon), c'mon (C'mon), c'mon (C'mon)
Please please me, oh yeah, like I please you
(Me) Whoa yeah, like I please you
(Me) Whoa yeah, like I please you

Misery
(John Lennon and Paul McCartney)

ДЖОН 1980: 'Это была своего рода песня Джона, больше чем песня Пола…, но она была написана вместе.'

ПОЛ 1988: 'Джон и я были командой авторов песен, и то, что делали команды писателей в те дни, было написано для всех.
'Misery' была для Хелен Шапиро, но она отказалась.
Возможно, это не было настолько удачно для нее, потому что это была довольно неудачная песня…
'Мир относится ко мне плохо, страдание'. Это было довольно пессимистично.
И в конце концов ее спел Кенни Линч.
Кенни ездил с нами в турне, и он пел ее.
Это был один из его небольших хитов.

The world is treating me bad... Misery

I'm the kind of guy
Who never used to cry
The world is treating me bad... Misery!

I've lost her now for sure
I won't see her no more
It's gonna be a drag... Misery!

I'll remember all the little things we've done
Can't she see she'll always be the only one, only one

Send her back to me
Cos everyone can see
Without her I will be in misery

I'll remember all the little things we've done
She'll remember and she'll miss her only one, lonely one

Send her back to me
Cos everyone can see
Without her I will be in misery (Oh oh oh)
In misery (Ooh ee ooh ooh)
My misery (La la la la la la)

I'm Talking About You
(Chuck Berry)

She's so fine you know I wished she was mine
I get shook up every time we meet

I'm talkin' 'bout you
Nobody but you
Yeah, I do mean you
I'm just trying to get a message to you

Let me tell you 'bout a girl I know
I tell ya now she looks so good
Got so much skills and such a beautiful will
She oughta be somewhere in Hollywood

I'm talkin' 'bout you
Nobody but you
Come on and give me a cue
So I can get a message to you

Let me tell you 'bout a girl I know
She's sitting right here by my side
Lovely indeed that why I asked if she
Promised someday she will be my bride

Talkin' 'bout you
I do mean you
Nobody but you
Come on, let me get a message through

A Real Treat

Boys
(Luther Dixon and Wes Farrell)

I been told when a boy kiss a girl
Take a trip around the world
Hey, hey (Bop shuop, m'bop bop shuop)
Hey, hey (Bop shuop, m'bop bop shuop)
Hey, hey, (Bop shuop) yeah, she say ya do (Bop shuop)

My girl says when I kiss her lips
Gets a thrill through her fingertips
Hey, hey (Bop shuop, m'bop bop shuop)
Hey, hey (Bop shuop, m'bop bop shuop)
Hey, hey, (Bop shuop) yeah, she say ya do (Bop shuop)

Well, I talk about boys
Don't ya know I mean boys
Well, I talk about boys, now
Aaahhh, boys
Well, I talk about boys, now
What a bundle of joy!
(Alright, George!)

Well, I talk about boys
Don't ya know I mean boys
Well, I talk about boys, now
Aaahhh, boys
Well, I talk about boys, now
What a bundle of joy!

Oh, oh, ah yeah boys
Don't ya know I mean boys?
Ooh, boys
Ah ha
Well I talk about boys now

Absolutely Fab

Chains
(Gerry Goffin and Carole King)

Chains, my baby's got me locked up in chains
And they ain't the kind that you can see
Whoa, oh, these chains of love got a hold on me, yeah

Chains, well I can't break away from these chains
Can't run around, cos I'm not free
Whoa, oh, these chains of love won't let me be, yeah

I wanna tell you, pretty baby
I think you're fine
I'd like to love you
But, darling, I'm imprisoned by these...

Chains, my baby's got me locked up in chains
And they ain't the kind that you can see
Oh, oh, these chains of love got a hold on me

Please believe me when I tell you
Your lips are sweet
I'd like to kiss them
But I can't break away from all of these...

Chains, my baby's got me locked up in chains
And they ain't the kind that you can see
Whoa, oh, these chains of love got a hold on me, yeah

Chains, chains of love...

Ask Me Why
(John Lennon)
(Официально – John Lennon and Paul McCartney)

I love you, 'cause you tell me things I want to know
And it's true that it really only goes to show
That I know that I, I, I, I
Should never, never, never be blue

Now you're mine, my happiness still makes me cry
And in time, you'll understand the reason why
If I cry, it's not because I'm sad
But you're the only love that I've ever had

I can't believe it's happened to me
I can't conceive of any more misery

Ask me why, I'll say I love you
And I'm always thinking of you

I love you, 'cause you tell me things I want to know
And it's true that it really only goes to show
That I know that I, I, I, I
Should never, never, never be blue

Ask me why, I'll say I love you
And I'm always thinking of you

I can't believe it's happened to me
I can't conceive of any more misery

Ask me why, I'll say I love you
And I'm always thinking of you
You, you

Till There Was You
(Meredith Willson)

There were bells on a hill
But I never heard them ringing
No, I never heard them at all
Till there was you

There were birds in the sky
But I never saw them winging
No, I never saw them at all
Till there was you

Then there was music and wonderful roses
They tell me in sweet fragrant meadows
Of dawn and dew

There was love all around
But I never heard it singing
No, I never heard it at all
Till there was you

Then there was music and wonderful roses
They tell me in sweet fragrant meadows
Of dawn and dew

There was love all around
But I never heard it singing
No, I never heard it at all
Till there was you
Till there was you

Lend Me Your Comb
(Kay Twomey, Fred Wise and Ben Weisman)

Lend me your comb
It's time to go home
I got to go past
My hair is a mess

Your mammie will scold
Your pappie will shout
Unless we come in
The way we went out

Kissing you was fun honey
But thanks for the date
But I must come to run honey
But you know baby it's getting late

Just wait till I say
"My darling
Lend me your comb
We got to go home"

Whoa! Ow!

Lower 5E

The Hippy Hippy Shake
(Chan Romero)

For goodness sake
I got the hippy hippy shake
I've got to shake
Who the hippy hippy shake

Who I can't keep still
With the hippy hippy shake
I get my fill
With the hippy hippy shake
Ooh my baby
Oh the hippy hippy shake

Well now you shake it to the left
Shake it to the right
Do the hippy shake shake
With all of you might

Then you shake
Who yes you shake
Ooh my baby
Ow the hippy hippy shake
Aah! Ow!

Ow yeah! Ow!

Well now you shake it to the left
Shake it to the right
Do the hippy shake shake
With all of you might

Then you shake
Who yes you shake
Ooh my baby
Who the hippy hippy shake
Ow the hippy hippy shake
Yea the hippy hippy shake oh yeah

Roll Over Beethoven
(Chuck Berry)

Well gonna write a little letter
Gonna mail it to my local D.J.
It's a rocking little record
I want my jockey to play
Roll over Beethoven
Gotta hear it again today

You know my temperature's rising
And the jukebox blows a fuse
My heart beating rhythm
While my soul keeps singing the blues
Roll over Beethoven
And tell Tchaikovsky the news

I got a rocking pneumonia
I need a shot of rhythm and blues
I think I caught it off the writer
Sittin' down by the rhythm reviews
Roll over Beethoven
We're rockin' in two by two

Well if you feel it and like it
Well get your lover and reel and rock it
Roll it over and move on up
Just triffle further and reel and rock it
Roll it over
Roll over Beethoven
A rocking in two by two - Ooo

Well early in the morning
I'm a giving you the warning
Don't you step on my blue suede shoes
Hey diddle diddle
I'll play my fiddle
Ain't got nothing to lose
Roll over Beethoven
And tell Tchaikovsky the news

You know she wiggles like a glow worm
Dance like a spinning top
She's got a crazy partner
Oughta see them reel an rock
Long as she's got a dime
The music will never stop
Roll over Beethoven
Roll over Beethoven
Roll over Beethoven
Roll over Beethoven
Roll over Beethoven
Dig to these rhythm and blues

There's a Place
(John Lennon and Paul McCartney)

ДЖОН 1980: 'Есть одно место' - это моя попытка в каком-то черном Мотауне.
Там написано обычное слово Леннона: 'У меня в голове нет печали… Это все в твоем воображении'.

There is a place
Where I can go
When I feel low
When I feel blue
And it's my mind
And there's no time when I'm alone

I think of you
And things you do
Go 'round my head
The things you said
Like "I love only you"

In my mind there's no sorrow
Don't you know that it's so
There'll be no sad tomorrow
Don't you know that it's so

There is a place
Where I can go
When I feel low
When I feel blue
And it's my mind
And there's no time when I'm alone

There's a place...

Bumper Bundle

P.S. I Love You
(Paul McCartney)
(Официально – John Lennon and Paul McCartney)

ДЖОН 1980: 'Это песня Пола. Он пытался написать песню 'Солдат', как на Ширлилах.
Он написал ее в Германии, или когда мы собирались в Гамбург и из него.
Возможно, я что-то сделал.
В частности, я ничего не помню.
Это была в основном его песня.'

ПОЛ около 1994: 'Тематическая песня, основанная на письме… Это была в основном моя.
Я не думаю, что Джон в этом сильно замешан.
Есть темы, которые легче, чем другие, повесить песню, и письмо является одной из них…
Она не основана на действительности, и я не написал ее своей подружке из Гамбурга, как некоторые люди думают.'.

As I write this letter
Send my love to you
Remember that I'll always
Be in love with you

Treasure these few words till we're together
Keep all my love forever
P.S. I love you
You, you, you

I'll be coming home again to you, love
And till the day I do, love
P.S. I love you
You, you, you

As I write this letter
Send my love to you
Remember that I'll always
Be in love with you

Treasure these few words till we're together
Keep all my love forever
P.S. I love you
You, you, you

As I write this letter (Oh)
Send my love to you (You know I want you to)
Remember that I'll always (Yeah)
Be in love with you

I'll be coming home again to you, love
And till the day I do, love
P.S. I love you
You, you, you
You, you, you
I love you

Please Mister Postman
(Georgia Dobbins, William Garrett, Freddie Gorman, Brian Holland and Robert Bateman)

ПОЛ 1984: 'Под влиянием Марвелетт, которые сделали оригинальную версию.
Мы получили ее от наших поклонников, которые написали 'Пожалуйста, мистер Постмен' на конвертах.
'Пости, пости, не медли, будь как Битлз и иди, мужик, иди! Типа того.

Wait, oh yes wait a minute mister postman
Wait, wait mister postman

Mister postman look and see
Is there a letter in your bag for me
I been waiting a long long time
Since I heard from that girl of mine

There must be some word today
From my girlfriend so far away
Please Mister postman look and see
If there's a letter, a letter for me
I been standing here waiting Mister postman
So patiently
For just a card or just a letter
Saying she's returning home to me

Mister postman look and see
Is there a letter in your bag for me
I been waiting a long long time
Since I heard from that girl of mine

So many days you passed me by
See the tear standing in my eye
You didn't stop to make me feel better
By leaving me a card or a letter

So Mister postman look and see
Is there a letter in your bag for me
I been waiting a long long time
Since I heard from that girlfriend of mine

You gotta wait a minute, wait a minute
You gotta wait a minute, wait a minute
You gotta wait a minute, wait a minute
You gotta check it and see, one more time for me
You gotta wait a minute, wait a minute
You gotta wait a minute, wait a minute
You gotta wait a minute, wait a minute
Deliver the letter, the sooner the better
You gotta wait a minute, wait a minute
You gotta wait a minute, wait a minute
You gotta wait a minute, wait a minute

Beautiful Dreamer
(Stephen Foster)

Beautiful dreamer, wake unto me,
Starlight and dewdrops are waiting for thee;
Sounds of the rude world, heard in the day,
Lull'd by the moonlight have all passed away!
Beautiful dreamer, queen of my song,
List while I woo thee with soft melody;
Gone are the cares of life's busy throng,
Beautiful dreamer, awake unto me!
Beautiful dreamer, awake unto me!

Beautiful dreamer, out on the sea,
Mermaids are chanting the wild lorelei;
Over the streamlet vapors are borne,
Waiting to fade at the bright coming morn.
Beautiful dreamer, beam on my heart,
Even as the morn on the streamlet and sea;
Then will all clouds of sorrow depart,
Beautiful dreamer, awake unto me!
Beautiful dreamer, awake unto me!

Devil In Her Heart
(Richard Drapkin)

She's got the devil in her heart
But her eyes they tantalize
She's gonna tear your heart apart
Oh her lips they really thrill me

I'll take my chances
For romance is
So important to me
She'll never hurt me
She won't desert me
She's an angel sent to me

She's got the devil in her heart
No, no, this I can't believe
She's gonna tear your heart apart
No, no nay will she deceive

I can't believe that she'll ever ever go
Not when she hugs and says she loves me so
She'll never hurt me
She won't desert me
Listen can't you see

She's got the devil in her heart
Oh, no, no, no, this I can't believe
She's gonna tear your heart apart
No no nay will she deceive

Don't take chances if your romance is
So important to you
She'll never hurt me
She won't desert me
She's an angel sent to me

She's got the devil in her heart
Oh, no, no, no, no this I can't believe
She's gonna tear your heart apart
No, no nay will she deceive

She's got the devil in her heart
No she's an angel sent to me
She's got the devil in her heart
No she's an angel sent to me

The 49 Weeks
(Paul McCartney)

Sure to Fall (In Love With You)
(Carl Perkins, Bill Cantrell and Quinton Claunch)

I'm sure to fall, fall in love
I'm sure to fall in love with you
You are so sweet and so near
I'm sure to fall in love with you

So hold me tight
Let tonight be the night
Darling don't ever let me go

Loving you is the natural thing to do
I want you for the rest of my life

So hold me tight
Let tonight be the night
Darling don't ever let me go

Loving you is the natural thing to do
I want you for the rest of my life

Never Mind, Eh?

Twist And Shout
(Bert Russell and Phil Medley)

ДЖОН 1963: 'Я всегда ненавижу петь песню 'Twist And Shout', когда с нами на купюре цветной артист.
Это не кажется правильным, знаете ли.
Мне немного стыдно… Это заставляет меня свернуться.
Я всегда чувствую, что они могут сделать песню намного лучше, чем я'.

ДЖОН 1971: 'Самыми интересными песнями для меня были черные, потому что они были проще.
Они вроде как сказали 'тряси свой зад', или твой член, что было действительно инновацией.
Черные пели прямо и немедленно о своей боли, а также о сексе, вот почему мне нравится эта песня.

ДЖОН 1976: Последняя песня почти убила меня.
Мой голос не был прежним долгое время после… Каждый раз, когда я проглотил его, он был как наждачная бумага.
Мне всегда было горько стыдно, потому что я мог петь лучше, но теперь это не беспокоит меня. Ты слышишь, что я просто безумный парень, делающий что могу.
И я точно знаю почему… Это потому, что он в тот день отработал свою фигню.
Мы оставили 'Twist And Shout' до самого последнего, потому что знали, что был один дубль.

РИНГО 1994: 'Мы начали (запись альбома) около полудня и закончили его в полночь, когда Джон был очень восторжен 'Twist And Shout'.

Well, shake it up, baby, now (Shake it up, baby)
Twist and shout (Twist and shout)
C'mon c'mon, c'mon, c'mon, baby, now (Come on baby)
Come on and work it on out (Work it on out)

Well, work it on out, honey (Work it on out)
You know you look so good (Look so good)
You know you got me goin' now (Got me goin')
Just like I knew you would (Like I knew you would)

Well, shake it up, baby, now (Shake it up, baby)
Twist and shout (Twist and shout)
C'mon, c'mon, c'mon, c'mon, baby, now (Come on, baby)
Come on and work it on out (Work it on out)

Well, you twist, you little girl (Twist, little girl)
You know you twist so fine (Twist so fine)
Come on and twist a little closer now (Twist a little closer)
And let me know that you're mine (Let me know you're mine)

Well, shake it up, baby, now (Shake it up, baby)
Twist and shout (Twist and shout)
C'mon, c'mon, c'mon, c'mon, baby, now (Come on, baby)
Come on and work it on out (Work it on out)

Well, shake it, shake it, shake it, baby, now (Shake it up baby)
Well, shake it, shake it, shake it, baby, now (Shake it up baby)
Well, shake it, shake it, shake it, baby, now (Shake it up baby)

Bye, Bye

John - Pop Profile

George - Pop Profile

I Saw Her Standing There
(John Lennon and Paul McCartney)

ДЖОН 1980: Это Пол, выполняющий свою обычную работу по производству того, что Джордж Мартин называл 'котлоагрегатом'. Я помог с парой текстов.

ПОЛ 1988: 'Я написал их с Джоном.
Мы прогнали школу и написали их на гитарах.
Я помню, что у меня были слова: 'Только семнадцать / никогда не была королевой красоты', которые Джон…
Это был один из первых раз, когда он пошел 'Что? Нужно изменить это! И стало: «Вы знаете, что я имею в виду».

ПОЛ около 1994: 'Иногда мы просто начинали песню с нуля, но у одного из нас почти всегда был зародыш идеи, названия или сырой детали, о которой мы думали, и мы делали это.'
'I Saw Her Stand There' была моей идеей.
Я начал ее, и у меня был первый стих, который дал мне мелодию, темп и ключ.
Он дал вам предмет, много информации, а затем вы должны были заполнить.
Так что она была написана совместно…
И мы закончили ее в тот день.

Well, she was just seventeen
You know what I mean
And the way she looked was way beyond compare
So how could I dance with another (Ooh)
When I saw her standing there

Well she looked at me, and I, I could see
That before too long I'd fall in love with her
She wouldn't dance with another (Whooh)
When I saw her standing there

Well, my heart went "boom"
When I crossed that room
And I held her hand in mine

Whoah, we danced through the night
And we held each other tight
And before too long I fell in love with her
Now I'll never dance with another (Whooh)
When I saw her standing there

Well, my heart went "boom"
When I crossed that room
And I held her hand in mine

Whoah, we danced through the night
And we held each other tight
And before too long I fell in love with her
Now I'll never dance with another (Whooh)
Since I saw her standing there
Oh since I saw her standing there
Oh since I saw her standing there

Glad All Over
(Carl Perkins)

Ain't no doubt about it
This must be love
One little kiss from you
And I feel glad all over
Oo baby, hot dang gilly
It's silly
But I'm glad all over

Yeah the goosepimples baby
Cos I feel so good
When you call me like you do
And I feel glad all over
Oo mercy, I'm rock gone puppy
And I'm happy
And I'm glad all over

Your touch sewed me
Like an electric wire
Never thought of make love
It don't take much looking
To see what I've got
But it shows, yes it shows
Come on honey Bonnie
Give me one more time
Everytime you do
Well I feel glad all over
Oo baby, hot dang gilly
It's silly
But I'm glad all over
Yeah!

Tried to tell you
How I'm cooking inside
When we're cheek to cheek
My temperature is low
Fever is high
I can't speak
I'm too weak

Well come on honey Bonnie
Give me one more time
Everytime you do
Well I feel glad all over
Oo baby, hot dang gilly
It's silly
But I'm glad all over
Hot dang gilly
It's silly
But I'm glad all over
Well, hot dang gilly
It's silly
But I'm glad all over

Lift Lid Again

I'll Get You
(John Lennon and Paul McCartney)

ДЖОН 1963: 'Сторона B на 'She Loves You', которая предназначалась для стороны A.'

ПОЛ 1963: 'Если мы напишем одну песню, то сможем продолжить работу и получить больше идей.
Мы написали 'I'll Get You', песню для стороны И сначала, а потом 'She Loves You'.
Знаешь… У нас с Полом появились идеи.
Тогда мы записали ее.

ДЖОН 1980: 'Это был Пол и я, пытавшиеся написать песню… и она не сработала.'

ПОЛ около 1994: 'В ней есть интересный аккорд - 'Это не просто…'`Даже нелегко.
Это было украдено из песни под названием 'All My Trials', которая есть на альбоме Джоан Баэз.

Oh yeah, oh yeah
Oh yeah, oh yeah

Imagine I'm in love with you
It's easy cos I know
I've imagined I'm in love with you
Many, many, many times before

It's not like me to pretend
But I'll get you, I'll get you in the end
Yes I will, I'll get you in the end
Oh yeah, oh yeah

I think about you night and day
I need you and it's true
When I think about you, I can say
I'm never, never, never, never blue

So I'm telling you, my friend
That I'll get you, I'll get you in the end
Yes I will, I'll get you in the end
Oh yeah, oh yeah

Well, there's gonna be a time
When I'm gonna change/make your mind
So you might as well resign yourself to me
Oh yeah

Imagine I'm in love with you
It's easy cos I know
I've imagined I'm in love with you
Many, many, many times before

It's not like me to pretend
But I'll get you, I'll get you in the end
Yes I will, I'll get you in the end
Oh yeah, oh yeah
Oh yeah, oh yeah
Whoa yeah

She Loves You
(John Lennon and Paul McCartney)

ДЖОН 1963: 'Мы написали ее за два дня до записи.'

ПОЛ 1963: 'Джон и я написали это вместе.
Мы были в фургоне где-то в Ньюкасле, и мы только что уехали в наш отель.
Я изначально подумал о том, чтобы сделать одну из этих песен, где один из нас поет о 'она любит вас', а другая говорит: 'Да…'.
Вы знаете, 'да, да, да' отвечая тем, кто это говорит.
Но мы все равно решили, что это была отвратительная идея.
Но тогда у нас появилась идея написать песню под названием 'She Loves You'.
И мы просто сидели в спальне отеля несколько часов и написали это, знаете ли.

ДЖОН 1963: 'Да.' Это вроде как основная фраза из 'Она любит тебя'.
Мы написали песню, а потом вдруг поняли, что нам нужно больше… Поэтому мы добавили 'да, да, да, да' и она запела.'

ДЖОН 1980: 'Она была написана вместе (с Полом) и я не помню как.
Я помню, что это была идея Пола - вместо того чтобы снова петь 'Я бы тебя любила', мы снова начали.
'Ву' взяли у братьев Айзли Изи 'Twist And Shout', в который мы застряли.'

ПОЛ 1982: 'Иногда мы отклоняли Джорджа Мартина, как в 'She Loves You', мы заканчивали на шестом аккорде, очень джазовом, и он сказал: 'Ты можешь сделать это'.
Шестой аккорд? Слишком джазово.
Мы только что сказали: 'Нет, это отличный крючок, мы должны это сделать.'

ПОЛ 1988: 'Мы репетировали последнюю часть песни 'She Loves You' и взяли ее у Джорджа.
И он просто смеялся и сказал: 'Ну, вы не можете сделать и конца… уже шестой… слишком похоже на сестер Эндрю'.
Мы только что сказали: 'Хорошо, попробуем без него', и мы попробовали, и все было не так хорошо.
Тогда он признался: 'Ты прав, я думаю. Но мы оба были очень гибкими.
Мы тоже слушали идеи Джорджа, потому что он был продюсером и музыкантом, и он, очевидно, знал, о чем говорил.
Мы понравилось и мы репетировали, потому что он был продюсером и музыкантом, и он, очевидно, знал о чем говорил.
Вот где было хорошо и как.
Нас двоих это очень сильно волновало, и мы репетировали этих мальчиков, когда я писал в номерах о том, что… Джон и я.
Я говорю о послеобеденном отпуске, и мы сидим там и пишем!
Нам просто так понравилось. Это не

She loves you, yeah, yeah, yeah
She loves you, yeah, yeah, yeah
She loves you, yeah, yeah, yeah, yeah

You think you lost your love
Well, I saw her yesterday
It's you she's thinking of
And she told me what to say

She says she loves you
And you know that can't be bad
Yes, she loves you
And you know you should be glad

She said you hurt her so
She almost lost her mind
But now she says she knows
You're not the hurting kind

She says she loves you
And you know that can't be bad
Yes, she loves you
And you know you should be glad, ooh

She loves you, yeah, yeah, yeah
She loves you, yeah, yeah, yeah
And with a love like that
You know you should be glad

You know it's up to you
I think it's only fair
Pride can hurt you too
Apologize to her

Because she loves you
And you know that can't be bad
Yes, she loves you
And you know you should be glad, ooh

She loves you, yeah, yeah, yeah
She loves you, yeah, yeah, yeah
With a love like that
You know you should be glad
With a love like that
You know you should be glad
With a love like that
You know you should be glad
Yeah, yeah, yeah
Yeah, yeah, yeah, yeah

Memphis, Tennessee

Long distance information
Give me Memphis, Tennessee
Try to find the party
Trying to get in touch with me
She would not leave her number
But I know who placed the call
Cos my uncle took the message
And he wrote it on the wall

Help me, information
Get in touch with my Marie
She's the only one who'd phone me here
From Memphis, Tennessee
Her home is on the south side
Just beyond the ridge
Just a half a mile
From the Mississippi Bridge

Help me, information
More than that I cannot add
Only that I miss her
And all the fun we had
We were pulled apart
Because her mom would not agree
Help me get in touch with her
In Memphis, Tennessee

The last time I saw Marie
She was waving me goodbye
With hurry homedrops on her cheek
That trickled from her eyes
Marie is only six years old
Information please
Help me get in touch with her
In Memphis, Tennessee

Happy Birthday Dear Saturday Club

Now Hush, Hush

From Me to You
(John Lennon and Paul McCartney)

ПОЛ 1964: 'От меня к тебе. Можно было ее сделать в стиле Ragtime…, особенно в середине.
И поэтому мы не пишем мелодии в какой-то конкретной идиоме.
В течение пяти лет мы можем аранжировать мелодии по-разному.(шутка)
Но мы, наверное, напишем тот же самый старый мусор!

ДЖОН 1980: 'Мы писали ее в машине, я думаю…, а первая строчка была моей.
Я имею ввиду, я знаю, что это было мое. (мелодия гума)
А потом мы просто взяли ее с собой.
Просто мы писали следующий сингл.
Когда мы его написали, он был намного грустнее, чем раньше.
Заметки, которые сегодня… Вы могли перестроить ее довольно странно.

ПОЛ около 1994: 'Мне нравилось, что 'От меня к вам' был очень полный середина.
Это было удивительное место.
Вступительный аккорд средней части этой песни ознаменовал для меня новую партию.
Это была ключевая песня.
Наше сочинение песни немного приподнялось.
Это было очень похоже на сочинение'.

Da da da da da dum dum da
Da da da da da dum dum da

If there's anything that you want
If there's anything I can do
Just call on me and I'll send it along
With love from me to you

I've got everything that you want
Like a heart that's oh so true
Just call on me and I'll send it along
With love from me to you

I got arms that long to hold you
And keep you by my side
I got lips that long to kiss you
And keep you satisfied, oooh

If there's anything that you want
If there's anything I can do
Just call on me and I'll send it along
With love from me to you

From me, to you
Just call on me and I'll send it along
With love from me to you

I got arms that long to hold you
And keep you by my side
I got lips that long to kiss you
And keep you satisfied, oooh

If there's anything that you want
If there's anything I can do
Just call on me and I'll send it along
With love from me to you
To you, to you, to you

Money (That's What I Want)
(Berry Gordy and Janie Bradford)

The best things in life are free
But you can keep 'em for the birds and bees

Now give me money (that's what I want)
That's what I want (that's what I want)
That's what I want (that's what I want) yeah
That's what I want

Your loving give me a thrill,
But your loving don't pay my bills

Now give me money (that's what I want)
That's what I want (that's what I want)
That's what I want (that's what I want) yeah
That's what I want

Money don't get everything it's true
What it don't get I can't use

Now give me money (that's what I want)
That's what I want (that's what I want)
That's what I want (that's what I want) yeah
That's what I want

Well, now give me money (that's what I want)
Whole lot of money (that's what I want)
Whoah yeah, I wanna be free (that's what I want)
Oh, money (that's what I want)
That's what I want, yeah (that's what I want)
That's what I want

Well, now give me money (that's what I want)
Whole lot of money (that's what I want, whoo)
Whoah, yeah, you know I need money (that's what I want)
Now give me money (that's what I want, whoo)
That's what I want, yeah (that's what I want)
That's what I want

I Want to Hold Your Hand
(John Lennon and Paul McCartney)

ПОЛ 1964: 'Давайте посмотрим, нам сказали, что мы должны заняться этим.
Так что мы нашли этот дом, когда гуляли один день.
Мы знали, что нам действительно нужно заставить эту песню заработать, поэтому мы спустились в подвал заброшенного дома и там было старое пианино.
Он был не совсем заброшен, там были комнаты.
Мы нашли это старое пианино и начали стучать.
Там также был маленький старый орган.
Тогда у нас был этот неформальный джем и мы начали стучать.
Внезапно мы поймали маленький бит и поймали линию.
Тогда мы начали работать над ней.
На самом деле, у нас была какая-то песня, поэтому мы сыграли ее для нашего менеджера звукозаписи, и ему она похоже понравилась. На следующий день мы записали ее.

ДЖОН 1980: 'Мы написали много песен вместе, один на один, 'глазом к глазу'.
Помню, как в 'Я хочу держать тебя за руку', когда мы получили аккорд, который сделал эту песню.
Мы были в доме Джейн Ашер, в подвале, играли на пианино в то же время.
А у нас было, 'Oh you-u-u/u/ У нас что-то есть…
И Пол бьет этот аккорд, и я поворачиваюсь к нему и говорю: 'Вот и все!'
Я сказал: 'Сделай это снова!'
В те времена мы так и писали, играя друг другу в нос'.

ПОЛ около 1994: 'Очень хорошее описание ''глазом к глазу'.
'Я хочу держать твою руку' было написано в одном стиле.

Oh yeah, I'll tell you something
I think you'll understand
Then I'll say that something
I wanna hold your hand
I wanna hold your hand
I wanna hold your hand

Oh please, say to me
You'll let me be your man
And please, say to me
You'll let me hold your hand
Now let me hold your hand
I wanna hold your hand

And when I touch you I feel happy
Inside
It's such a feeling that my love
I can't hide
I can't hide
I can't hide

Yeah, you got that something
I think you'll understand
Then I'll say that something
I wanna hold your hand
I wanna hold your hand
I wanna hold your hand

And when I touch you I feel happy
Inside
It's such a feeling that my love
I can't hide
I can't hide
I can't hide

Yeah, you got that something
I think you'll understand
When I feel that something
I wanna hold your hand
I wanna hold your hand
I wanna hold your hand
I wanna hold your hand

Brian Bathtubes

This Boy
(John Lennon)
(Официально – John Lennon and Paul McCartney)

ДЖОН 1980: 'Просто моя попытка написать одну из этих трехчастных песен Смоки Робинсона.
Ничего в тексте… Просто звук и гармония.
Был период, когда я думал, что не пишу мелодии… что Пол написал их и я просто написал прямо, кричащий рок-н-ролл.
Но, конечно, когда я вспоминаю некоторые из моих собственных песен - 'In My Life', или некоторые из ранних вещей - 'This Boy,' я писал мелодию с лучшими из них.

ПОЛ 1988: 'Невероятно. И мы просто любили петь эти три части тоже… Мы узнали, что любовь - это от нее.'.
'Мы узнали от: (поет) 'To know know know her is to love love love her…' (Знать, знать, знать ее - значит любить, любить, любить ее ...).
Мы узнали это в доме моего отца в Ливерпуле.

That boy took my love away
Though he'll regret it someday
But this boy wants you back again

That boy isn't good for you
Though he may want you too
This boy wants you back again

Oh, and this boy would be happy
Just to love you, but oh my
That boy won't be happy
Till he's seen you cry

This boy wouldn't mind the pain
Would always feel the same
If this boy gets you back again

This boy
This boy
This boy [fade out]

If I Wasn't In America

I Got a Woman
(Chuck Berry)

Well, I got a woman way cross town
She's good to me, oh ho yeah
Said I got a woman way cross town
She's good to me, oh yeah

She gives me money everytime I need
Yes, you know she's a kind of friend indeed
Said I got a woman way cross town
She's good to me, oh ho yeah

She says she loves me early in the morning
Just for me, oh ho yeah
She says she loves me early in the morning
Just for me, oh yeah

She says she loves me just for me, yeah
You know she loves me so tenderly
Said I got a woman way cross town
She's good to me, oh yeah
Ow!

She's there to love me
All day and night
Never grumbles or fusses
Just treats me right
Never runnin' in the streets
Leave me alone
She knows a woman's place
Is right back there with her hanging around the home

Got a woman way cross town
She's good to me, oh yeah
Well, I got a woman way cross town
She's good to me, oh yeah

Well, she's my baby, don't you understand
That I, I, I, I, I'm her loving man
Said I got a woman way cross town
She's good to me, oh ho yeah

Well, that much is alright
Well, that much is alright

I got a woman
Way cross town
She's good to me
Oh ho ho yeah

Long Tall Sally
(Richard Penniman, Enotris Johnson and Robert Blackwell)

I'm gonna tell Aunt Mary 'bout Uncle John
He said he had the misery but he got a lot of fun
Baby, yeah now baby
Woo baby, some fun tonight

I saw Uncle John with Long Tall Sally
He saw Aunt Mary coming and he ducked back in the alley
Oh, baby, yeah now baby
Woo baby, some fun tonight

Well Long Tall Sally's built pretty sweet
She got everything that Uncle John need
Baby, yeah now baby
Woo baby, some fun tonight

Well, we're gonna have some fun tonight
Have some fun tonight
Everything's all right
Have some fun tonight
Have some fun
Yeah, yeah, yeah,
We're gonna have some fun tonight
Have some fun tonight
Everything's all right
Have some fun tonight
Yeah, we'll have some fun
Some fun tonight

If I Fell
(John Lennon)
(Официально – John Lennon and Paul McCartney)

ДЖОН 1980: 'Это была моя первая попытка создать настоящую балладу.
Это был предшественник песни 'In My Life'.
У него те же самые аккордовые последовательности, что и у 'In My Life' - РЕ и СИ минор и МИ минор, такие вещи.
И это полуавтобиографические, но не сознательные последовательности аккордов.
Это показывает, что я пишу сентиментальные любовные баллады - глупые песни - давным-давно.

ПОЛ 1984: 'Это был наш близкий к гармонии период.
Мы сделали несколько песен… 'This Boy', 'If I Fell,' 'Yes It Is' … в том же духе, которые были как Fourmost - английская вокальная группа, только не совсем'.

If I fell in love with you
Would you promise to be true
And help me understand
Cause I've been in love before
And I found that love was more
Than just holding hands

If I give my heart to you
I must be sure
From the very start
That you would love me more than her

If I trust in you oh please
Don't run and hide
If I love you too oh please
Don't hurt my pride like her
Cause I couldn't stand the pain
And I would be sad if our new love was in vain

So I hope you see that I
Would love to love you
And that she will cry
When she learns we are two
Cause I couldn't stand the pain
And I would be sad if our new love was in vain

So I hope you see that I
Would love to love you
And that she will cry
When she learns we are two
If I fell in love with you

A Hard Job Writing Them

And I Love Her
(Paul McCartney)
(Официально – John Lennon and Paul McCartney)

ДЖОН 1972: 'Мы оба написали ее. Первый тайм принадлежал Полу, а второй - мне.'

ДЖОН 1980: ''And I Love Her' это снова Пол. Я думаю, это его первая 'Yesterday'.
Знаешь, большая баллада в 'A Hard Day's Night.'

ПОЛ 1984: 'Это просто песенка о любви.
Она была не для кого-то.
Дать название песни в середине предложения, я думал, это было умно.
Ну, Перри Комо сделал 'And I Love You So' много лет спустя.
Пытался украсть эту идею. Мне это нравится…
Это была хорошая мелодия, эта. Мне она все еще нравится.

I give her all my love
That's all I do
And if you saw my love
You'd love her too
I love her

She gives me everything
And tenderly
The kiss my lover brings
She brings to me
And I love her

A love like ours
Could never die
As long as I
Have you near me

Bright are the stars that shine
Dark is the sky
I know this love of mine
Will never die
And I love her

Oh, Can't We? Yes We Can
(George Harrison)

You Can't Do That
(John Lennon)
(Официально – John Lennon and Paul McCartney)

ДЖОН 1964: 'Я всегда считал, что меня тянет играть ритм, поэтому я всегда придумываю что-то интересное для себя.
Лучший пример, о котором я могу думать, это как я делал в 'You Can't Do That'.
На самом деле нет ведущего гитариста и ритм-гитариста, потому что я чувствую, что роль ритм-гитариста звучит слишком тонко для записи.
В любом случае, это заставляло меня постоянно играть мелодичный ритм.
Я никогда не играл ведущую гитаре, которую Джордж делал лучше.
Но иногда мне нравится играть на главной партии, поэтому я это делаю.

ДЖОН 1980: 'Это я играю Уилсона Пикетта.
Знаешь, коровий колокольчик, и аккорд с 'болтавней'!

I got something to say that might cause you pain
If I catch you talking to that boy again
I'm gonna let you down
And leave you flat
Because I told you before, oh
You can't do that

Well, it's the second time I've caught you talking to him
Do I have to tell you one more time, I think it's a sin
I think I'll let you down (Let you down)
Leave you flat (Gonna let you down and leave you flat)
Because I've told you before, oh
You can't do that

Everybody's green
Cos I'm the one who won your love
But if they'd seen
You're talking that way they'd laugh in my face

So please listen to me, if you wanna stay mine
I can't help my feelings, I'll go out of my mind
I'm gonna let you down (Let you down)
And leave you flat (Gonna let you down and leave you flat)
Because I've told you before, oh
You can't do that, oh

(You can't do that
You can't do that
You can't do that
You can't do that
You can't do that)

Everybody's green
Cos I'm the one who won your love
But if they'd seen
You're talking that way they'd laugh in my face

Honey Don't
(Carl Perkins)

Well how come you say you will when you won't
Say you do, baby, when you don't?
Let me know honey how you feel
Tell the truth now, is love real?
But ah ah well honey don't, well honey don't
Honey don't, honey don't, honey don't
I say you will when you won't, ah ah, honey, don't

Well I love you, baby, and you ought to know
I like the way you wear your clothes
Everything about you is so doggone sweet
You got that sand all over your feet
But ah ah well honey don't, honey don't
Honey don't, honey don't, honey don't
I say you will when you won't, ah ah, honey, don't

[Ah, rock on George, one time for me.

I feel fine.
I said.]

Well sometimes I love you on a Saturday night
Sunday morning you don't look right
You've been out painting the town
Ah ah baby, been stepping around
But ah ah well honey don't, I said honey don't
Honey don't, honey don't, honey don't
I say you will when you won't, ah ah, honey, don't

[Ah, rock on George, for Ringo one time.]
Well honey don't, well honey don't
I say you will when you won't, ah ah, honey, don't

I'll Follow the Sun
(Paul McCartney)
(Официально – John Lennon and Paul McCartney)

ДЖОН 1972: 'Хорошая.'

ДЖОН 1980: 'Это опять Пол. Неужели ты не понимаешь?
Я имею в виду… 'Завтра может пойти дождь, так что я пойду за солнцем.
Это еще один ранний Маккартни, знаешь ли… написанный почти до Битлз, я думаю.
У него было много вещей… У него было много…

ПОЛ 1988: 'Я написал это в своем салоне на Фортлин Роуд.
Мне было около 16', затем мы искали как это связать. Так что 'I'll Follow The Sun' была одной из самых ранних.
Помню, как я написал ее сразу после гриппа…
Я помню, как стоял в салоне и смотрел сквозь кружевные шторы окна и писал, что один из них.
У нас был этот шар; образ в Ливерпуле, так что я думаю песни типа 'I'll Follow', как 'Солнце'.

One day you'll look to see I've gone
For tomorrow may rain, so I'll follow the sun
Some day you'll know I was the one
But tomorrow may rain, so I'll follow the sun

And now the time has come
And so my love I must go
And though I lose a friend
In the end you will know, oooh

One day you'll find that I have gone
But tomorrow may rain, so I'll follow the sun

Yea, tomorrow may rain, so I'll follow the sun
And now the time has come
And so my love I must go
And though I lose a friend
In the end you'll know, oooh

One day you'll find that I have gone
But tomorrow may rain, so I'll follow the sun

Green With Black Shutters

Kansas City/Hey, Hey, Hey, Hey
(Jerry Leiber, Mike Stoller and Richard Penniman)

That's What We're Here For
(Paul McCartney)

And if I said I really knew you well
What would your answer be
If you were here today?
Ooh ooh ooh, here today

Well, knowing you
You'd probably laugh and say that we were worlds apart
If you were here today
Ooh, ooh, ooh, here today

But as for me, I still remember how it was before
And I am holding back the tears no more
Ooh, ooh, ooh
I love you
Ooh, ooh

What about the time we met? (What about the time?)
Well, I suppose that you could say that we were playing hard to get
Didn't understand a thing, but we could always sing
What about the night we cried? (What about the night?)
Because there wasn't any reason left to keep it all inside
Never understood a word, but you were always there with a smile

And if I say I really loved you and was glad you came along
When you were here today
Ooh, ooh, ooh, for you were in my song
Ooh ooh ooh, here today

I Feel Fine (Studio Out-take)
(John Lennon)
(Официально – John Lennon and Paul McCartney)

Baby's good to me, you know
She's happy as can be, you know
She said so
I'm in love with her and I feel fine

Baby says she's mine, you know
She tells me all the time, you know
She said so
I'm in love with her and I feel fine

I'm so glad that she's my little girl
She's so glad, she's telling all the world

That her baby buys her things, you know
He buys her diamond rings, you know
She said so
She's in love with me and I feel fine, mmm

Baby says she's mine, you know
She tells me all the time, you know
She said so
I'm in love with her and I feel fine

I'm so glad that she's my little girl
She's so glad, she's telling all the world

That her baby buys her things, you know
He buys her diamond rings, you know
She said so
She's in love with me and I feel fine
She's in love with me and I feel fine, mmm, mmm

Paul - Pop Profile

Ringo - Pop Profile